Film
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Genre
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Conventions
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Style of Opening
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Narrative/ Storyline
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Titles show over narrative, jump cut to pan of Hollywood landscape
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Successful businessman Edward Lewis is supposedly hosting a party, but as his guests enjoy themselves he is upstairs on the phone to his girlfriend. She breaks up with him, claiming she spoke more with his secretary than with him. His character, a hard, dedicated office worker is stereotypical of a romantic comedy; the female lead normally shows his 'softer side'. He leaves the party and consequently finds himself in Hollywood. The iconic district is shown in a series of pan shots whilst the main titles roll.
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Skyfall
| Spy |
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Title sequence with elements of a fight or shoot out scene
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Bond is on a mission to retrieve a hard drive containing information that could be of use to multiple terrorist organisations if it fell in the wrong hands. A chase commences and Bond is accidentally shot by a fellow agent before falling in a river, presumed dead. This fades in to the title sequence, with the famous theme "Skyfall" by Adele playing. The images used foreshadow events in the film and many have connotations of death and danger (guns, skulls, graveyards).
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West Side Story
| Musical/ Drama |
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Overture into pan of landscape
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Fade in to a series of abstract lines on a changing background while an overture plays, stereotypical of the musical genre. When this finishes the lines fade to reveal they were imitating the Manhattan skyline, giving context. The audience is introduced to two rival gangs, the Jets and Sharks in the opening number. The singing and dancing of groups of people unlikely to take these actions in real life again suggest the film is a musical.
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Narrative, establishing shots of scene in diner into title sequence
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The definition of 'pulp' is shown before an adult couple are sitting in a diner, discussing robberies (establishing the crime genre) before deciding to rob the place themselves. As they hold up their guns, there is a jump cut to the main title sequence. The references and language suggest this is an adult film. There is the iconic theme music that cuts into "Jungle Boogie", again giving the film cultural context.
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Narrative, jump cut to title sequence and then back to the plot
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A group of eight men make conversation in a diner, with no clue as to what they are about to do (a planned diamond heist). This mystery keeps the audience intrigued. As they leave there is a title sequence/ montage to the song "Little Green Bag", which is very upbeat and positive, contrasting to the events of the film. As this ends, we hear a voice screaming "I'm going to die" and a jump cut to the next scene where one of the men has been shot.
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The Number 23
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Thriller
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Title sequence
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The title sequence is told on a plain, paper background with typography in the style of retro typewriters. This is no longer used and would only be found in old documents kept because of importance, suggesting the significance of the number twenty three.The number is used to make abstract patterns in the background, highlighting this. Between credits, there are also facts displayed that are linked to the number twenty three suggesting that it has to do with these brutal events and does not have positive connotations. This could give away the plot of the film. The red splatters mimic blood, with connotations of violence and possibly foreshadow danger or death in the film. No characters or context are revealed in this sequence.
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Scream
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Slasher
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Narrative
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A teenage girl is at home alone, preparing to watch a horror film when the phone rings. She presumes the caller has the wrong number and hangs up but he calls back, growing progressively threatening, eventually revealing he is watching her. She tries to run and hide, but the killer is too quick and stabs her as her parents arrive home.
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Halloween
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Horror
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Title sequence, fades into shot of a house at "Halloween, 1963"
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Title sequence uses dark colours, with bright orange text- normally happy colours but when put with the gradual zoom in of the Halloween pumpkin, links with the celebration and has connotations of fear. The music, in a minor key and layering instruments to build suspense adds to this. As the caption "Haddonfield, Illinois, Halloween 1963" appear, we hear children chanting a song. They represent innocence and life, which we can infer is lost throughout the film because of the juxtaposition with the music.
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Final Destination 3
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Horror
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Title sequence
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The credits roll on a dark background with light images of a fairground fading in and out. The typography matches the classical style used on fair rides and signs. This would normally connote fun and excitement however the dark lighting and the haunting music create the opposite effect, heightened when the sounds of whistling wind and screaming are layered. Some of the images used of the moving puppets and the fortune teller are a sinister style. This establishes both the setting (the fair) and the fact something there will go wrong (hence the music and screaming).
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The Woman in Black
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Horror
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Narrative fades into title sequence
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Three young Victorian girls are playing dolls until they simultaneously look to the door, causing them to enter a trance-like state. They walk towards the windows and calmly walk out, falling to their deaths. This symbolises the loss of hope and gives the film context. This fades into a title sequence, where woven into the credits are clips of a bride at her wedding, and that she falls pregnant. The positive idea of a wedding, symbolising love and a new start, and pregnancy, suggesting innocence and joy. This contrasts with the atmospheric music and the deaths of the girls beforehand, which could foreshadow events in the film.
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Monday, 22 September 2014
Key Conventions of Film Openings
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